FIVE FORMS FIVE SOUNDS
Ceramic, wood, metal, rope, paper
Five forms five sounds, takes the body as the central position to comprehend the relation between the object and its environment. Although based on/modelled around traditional musical instruments, the sound produced through these ceramic sculptures is heavily altered by their constitutive material. The artist is involved as the musician and sculptor; as reader and writer, embodying the social process and navigating both conception and perception. Once placed in its current setting the architecture undergoes a similar process. The remodelling of architectural elements into scenic devises is based upon the social relationship between viewer, object and artist, a process that both utilizes and defines the shape of the objects.